O escudo de Aquiles e a tensão entre guerra e mousiké no canto XVIII da Ilíada
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O objetivo deste artigo é discutir como a tensão entre a destruição própria da guerra e a experiência propiciada por atividades musicais ou, mitopoeticamente, da esfera das Musas (mousiké) perpassa o canto XVIII da Ilíada, culminando na narração da forja do novo escudo de Aquiles por Hefesto. As principais passagens discutidas são a reunião das Nereidas como um khóros que participa do lamento de Tétis por Aquiles, a forma como Aquiles conceitualiza seu antigo conjunto de armas e alguns dos aspectos ressaltados no encontro propriamente dito de Tétis e Hefesto. Quanto ao Escudo, além de rastrear-se a tensão entre destruição e mousiké que o perpassa, mostra-se como essa ajuda a esclarecer dois conjuntos de versos problemáticos, 535-38 e 604-5.
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