Píndaro y la "verdad" del poema
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Abstract
The aim of this paper is to contribute to the description of the form of the Pindaric Odes. Considering that poetry is in the first place a certain project of ‘mimesis’, we propose that the Odes accomplish a constant break of the ‘mimetic’ illusion. This break can assume different figures among which gnomic statements, deixis and ‘I’-poetics are perhaps the most conspicuous.
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Míguez Barciela, A. (2016). Píndaro y la "verdad" del poema. Synthesis, 23, e003. Retrieved from https://www.synthesis.fahce.unlp.edu.ar/article/view/SYNe003
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This work is licensed under a Creative Commons Attribution 4.0 International (https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es).
References
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Krummen, E. (1990) Pyrsos Hymnon. Festliche Gegenwart und mythisch-rituelle Tradition als Voraussetzung einer Pindarinterpretation (Isthmie 4, Pythie 5, Olympie 1 und 3), Berlin.
Miguez Barciela, A. (2014) La visión de la Odisea, Madrid.
Pfeijffer, I. L. (2004) “Pindar and Bacchylides”, en I. de Jong, R. Nünlist, A. Bowie (eds.), Narrators, Narratees, and Narratives in Ancient Greek Literature, Leiden-Boston: 213-234
Race, W. H. (1990) Style and Rhetoric in Pindar’s Odes, Atlanta.
Robbins, E. (1997) “Pindar”, en D. E. Gerber, (ed.), A Companion to the Greek Lyric Poets, Leiden.
Theunissen, M. (2000) Pindar. Menschenlos und Wende der Zeit, München.
Willcock, M. M. (1995) Pindar. Victory Odes, Cambridge.
Wolf, W., Bernhart, W., Mahler, A. (2013) (eds.) Immersion and Distance. Aesthetic Illusion in Literature and Other Media, Amsterdam-New York.
Young, D. C. (1970) “Pindaric Criticism”, en W. M. Calder, J. Stern (eds.), Pindaros und Bakchylides, Darmstadt: 584-641.
Bonifazi, A. (2004) “Communication in Pindar’s Deictic Acts”, Arethusa 37.3: 391-414.
Bundy, E. L. (1986) Studia Pindarica, Berkeley.
Calame, C. (1995) The Craft of Poetic Speech in Ancient Greece, Cornell University.
Calame, C. (2004) “Deictic Ambiguity and Auto-Referentiality: Some Examples from Greek Poetics”, Arethusa 37.3: 415-443.
Danielewicz, J. (1990) “Deixis in Greek Choral Lyric”, QUCC 34.1: 7-17.
Fränkel, H. (1993) Dichtung und Philosophie des frühen Griechentums, München.
Greengard, C. (1980) The Structure of Pindar’s Epinician Odes, Amsterdam.
Halliwell, S. (2012) “Diegesis – Mimesis”, en P. Hühn et. al. (Hgg.): the living handbook of narratology,
Hamilton, R. (1974) Epinikion. General Form in the Odes of Pindar, Paris.
Heath, M. (1986) “The Origins of Modern Pindaric Criticism”, JHS 106, 1986: 85-98.
Hubbard, T. K. (1985) The Pindaric Mind, Leiden.
Krummen, E. (1990) Pyrsos Hymnon. Festliche Gegenwart und mythisch-rituelle Tradition als Voraussetzung einer Pindarinterpretation (Isthmie 4, Pythie 5, Olympie 1 und 3), Berlin.
Miguez Barciela, A. (2014) La visión de la Odisea, Madrid.
Pfeijffer, I. L. (2004) “Pindar and Bacchylides”, en I. de Jong, R. Nünlist, A. Bowie (eds.), Narrators, Narratees, and Narratives in Ancient Greek Literature, Leiden-Boston: 213-234
Race, W. H. (1990) Style and Rhetoric in Pindar’s Odes, Atlanta.
Robbins, E. (1997) “Pindar”, en D. E. Gerber, (ed.), A Companion to the Greek Lyric Poets, Leiden.
Theunissen, M. (2000) Pindar. Menschenlos und Wende der Zeit, München.
Willcock, M. M. (1995) Pindar. Victory Odes, Cambridge.
Wolf, W., Bernhart, W., Mahler, A. (2013) (eds.) Immersion and Distance. Aesthetic Illusion in Literature and Other Media, Amsterdam-New York.
Young, D. C. (1970) “Pindaric Criticism”, en W. M. Calder, J. Stern (eds.), Pindaros und Bakchylides, Darmstadt: 584-641.