Ficción de performance original en el exordio de ARGONÁUTICAS de apolonio de rodas
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May 31, 2017
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Abstract
The characteristics of Apollonian narrator have been analyzed in a number of studies on the Argonautica. Generally, it is recognized that it presents the typical characteristics of the Homeric narrator, combined with two other remarkable features that are far from this epic model: a very strong “literary conscience” and a frequent use of elements and techniques from other genres. This paper attempts to demonstrate that these features are part of a literary technique that crosses all the poem: the “fiction of an original performance”. This “fiction” means that the text of the Argonautica is the result of an epic performance, while at the same time and paradoxically accentuates its composition by writing. Thus, this “fiction” recreates the experience and problems that faced an Alexandrian reader who “reads” the Homeric epic, creating in the poem a poetic of reception as a form of renewal of the epic genre.
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Llanos, P. M. (2017). Ficción de performance original en el exordio de ARGONÁUTICAS de apolonio de rodas. Synthesis, 24(1), e013. https://doi.org/10.24215/1851779Xe013
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This work is licensed under a Creative Commons Attribution 4.0 International (https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es).
References
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Clare, R. J. (2002) The Path of the Argo, Cambridge.
Clauss, J. J. (1993) The Best of the Argonauts, Berkeley.
Clay, J. S. (1989) The Politics of Olympus, Princeton.
Clay, J. S. (2011) “The Homeric Hymns as Genre”, en A. Faulkner (ed.) The Homeric Hymns: Interpretative Essays, Oxford: 232-251.
Conte, G. B. (1986) The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets, Ithaca and London.
Conte, G. B. (1994) Genres and Readers, Baltimore.
Conte, G. B. & Barchiesi, A. (1989) “Imitazione e arte allusiva. Modi e funzioni dell’intertestualità”, en A. Barchiesi et al. (eds.), Lo spazio letterario di Roma antica, Vol. I, Roma: 81-144.
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Couat, A. (1882) La Poésie alexandrine sous les trois premiers Ptolémées (322-22 au. J.C.), Paris.
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Dällenbach, L. (1989) The Mirror in the Text, Chicago.
De Jong, I. (2004) “Homer”, en I. J. F. de Jong, R. Nünlist, R. & A. Bowie (eds.) Narrators, Narratees, and Narratives in Ancient Greek Literature, Leiden, Boston: 13-24.
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De Forest, M. (1994) Apollonius’ Argonauticas: A Callimachean Epic, Leiden.
Depew, M. & Obbink, D. (eds.) (2000) Matrices of Genre: Authors, Canons, and Society, Cambridge.
Deubner, L. (1921) “Ein Stilprinzip hellenisticher Dichtkunst”, en Kleine Schriften zur klassischen Altertumskunde (Königstein/Ts. 1982).
Fantuzzi, M. & Hunter, R. (2007) Tradition and Innovation in Hellenistic Poetry, Cambridge.
Farnell, L. R. (1907) The Cults of the Greek States: Vol. IV, Oxford.
Faulkner, A. (ed.) (2011) The Homeric Hymns: Interpretative Essays, Oxford.
Furley, W. & Bremer, J. (2001) Greek Hymns: Vols. i–ii, Tübingen.
Fusillo, M. (1985) Il Tempo delle Argonautiche, Roma.
Goldhill, S. (1991) The Poet’s Voice: Essays on Poetics and Greek Literature, Cambridge.
González, J. M. (2000) “Mousai hypophetores: Apollonius of Rhodes on Inspiration and
Interpretation”, HSPh 100: 269–292.
Harder, M. A. (2004) “Callimachus”, en I. J. F. de Jong, R. Nünlist, R. & A. BowiE (eds.) Narrators, Narratees, and Narratives in Ancient Greek Literature, Leiden-Boston: 63-82.
Harder, M. A. (2012) Callimachus: Aetia, Oxford.
Harrison, S. J. (2007) Generic Enrichment in Vergil and Horace, Oxford.
Heinze, R. (1919) “Ovids elegische Erzählung”, en Vom Geist des Römertums 3a. ed. (1960).
Heubeck, A., West, S. & Hainsworth, J. B. (1998) A Commentary on Homer’s Odyssey: Volume I, Books I-VIII, Oxford.
Hunter, R. (1993) The Argonautica of Apollonius, Cambridge.
Hunter, R. (2008) “The Poetics of Narrative in the Argonautica”, en T. Papanghelis & A. Rengakos (eds.) Brill’s Companion to Apollonius Rhodius, Leiden, Boston: 115-146.
Janko, R. (1981) “The Structure of the Homeric Hymns: A Study in Genre”, Hermes 109: 9–24.
Kirk, G. S. (1985) The Iliad: A Commentary: Books 1–4, Cambridge.
Klooster, J. J. H. (2007) “Apollonius of Rhodes”, en I. de Jong & R. Nünlist (eds.) Time in Ancient Greek Literature, Leiden, Boston: 63-80.
Klooster, J. J. H. (2011) Poetry as Window and Mirror, Leiden, Boston.
Klooster, J. J. H. (2012) “Apollonius of Rhodes”, en I. de Jong (ed.) Space in Ancient Greek Literature, Leiden, Boston: 55-76.
Kroll, W. (1924) Studien zum Verständnis der römischen Literatur, Stuttgart.
Legrand, P.-E. (1898) Étude sur Théocrite, Paris
Lowrie, M. (2009) Writing, Performance, and Authority in Augustan Rome, Oxford.
Morrison, A. (2007) The Narrator in Archaic Greek and Hellenistic Poetry, Cambridge.
Nagy, G. (1979) The Best of the Achaeans, Baltimore.
Pucci, P. (2007) Inno alle Muse: Esiodo, Teogonia, 1–115, Pisa.
Rossi, L. E. (1971) “I generi letterari e le loro leggi scritte e non scritte nelle letterarture classiche”, BICS 18: 69-94.
Vox, O. (2002) “Dionigi Alessandrino e Apollonio Rodio: Cornici Innodiche”, Lexis 20: 153-70.
West, M. L. (2001) Studies in the Text and Transmission of the Iliad, München.
Wheeler, G. (2000) “Sing, Muse…: The introit from Homer to Apollonius”, CQ 52: 33–49.
Asper, M. (2008) “Apollonius on Poetry”, en T. Papanghelis & A. Rengakos (eds.) Brill’s Companion to Apollonius Rhodius, Leiden, Boston: 167-198.
Cameron, A. (1995) Callimachus and his Critics, Princeton.
Càssola, F. (1975) Inni Omerici, Milano.
Chappell, M. (2011) “The Homeric Hymn: The Question of Unity”, en A.Faulkner (ed.) The Homeric Hymns: Interpretative Essays, Oxford: 59-81.
Clare, R. J. (2002) The Path of the Argo, Cambridge.
Clauss, J. J. (1993) The Best of the Argonauts, Berkeley.
Clay, J. S. (1989) The Politics of Olympus, Princeton.
Clay, J. S. (2011) “The Homeric Hymns as Genre”, en A. Faulkner (ed.) The Homeric Hymns: Interpretative Essays, Oxford: 232-251.
Conte, G. B. (1986) The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets, Ithaca and London.
Conte, G. B. (1994) Genres and Readers, Baltimore.
Conte, G. B. & Barchiesi, A. (1989) “Imitazione e arte allusiva. Modi e funzioni dell’intertestualità”, en A. Barchiesi et al. (eds.), Lo spazio letterario di Roma antica, Vol. I, Roma: 81-144.
Costantini, M. & Lallot, J. (1987) ‘Le προοίμιον est-il un proème?’, en P. Hoffmann, J. Lallot, & A. Le Boulluec (eds.) Le Texte et ses representations. Études de littérature ancienne 3, Paris: 13-27.
Couat, A. (1882) La Poésie alexandrine sous les trois premiers Ptolémées (322-22 au. J.C.), Paris.
Cuypers, M. P. (2004) “Apollonius of Rhodes”, en I. J. F. de Jong, R. Nünlist, R. & A. Bowie (eds.) Narrators, Narratees, and Narratives in Ancient Greek Literature, Leiden, Boston: 43-62.
Dällenbach, L. (1989) The Mirror in the Text, Chicago.
De Jong, I. (2004) “Homer”, en I. J. F. de Jong, R. Nünlist, R. & A. Bowie (eds.) Narrators, Narratees, and Narratives in Ancient Greek Literature, Leiden, Boston: 13-24.
De Jong, I. (2004) “Herodotus”, en I. J. F. de Jong, R. Nünlist, R. & A. Bowie (eds.) Narrators, Narratees, and Narratives in Ancient Greek Literature, Leiden, Boston: 101-114.
De Forest, M. (1994) Apollonius’ Argonauticas: A Callimachean Epic, Leiden.
Depew, M. & Obbink, D. (eds.) (2000) Matrices of Genre: Authors, Canons, and Society, Cambridge.
Deubner, L. (1921) “Ein Stilprinzip hellenisticher Dichtkunst”, en Kleine Schriften zur klassischen Altertumskunde (Königstein/Ts. 1982).
Fantuzzi, M. & Hunter, R. (2007) Tradition and Innovation in Hellenistic Poetry, Cambridge.
Farnell, L. R. (1907) The Cults of the Greek States: Vol. IV, Oxford.
Faulkner, A. (ed.) (2011) The Homeric Hymns: Interpretative Essays, Oxford.
Furley, W. & Bremer, J. (2001) Greek Hymns: Vols. i–ii, Tübingen.
Fusillo, M. (1985) Il Tempo delle Argonautiche, Roma.
Goldhill, S. (1991) The Poet’s Voice: Essays on Poetics and Greek Literature, Cambridge.
González, J. M. (2000) “Mousai hypophetores: Apollonius of Rhodes on Inspiration and
Interpretation”, HSPh 100: 269–292.
Harder, M. A. (2004) “Callimachus”, en I. J. F. de Jong, R. Nünlist, R. & A. BowiE (eds.) Narrators, Narratees, and Narratives in Ancient Greek Literature, Leiden-Boston: 63-82.
Harder, M. A. (2012) Callimachus: Aetia, Oxford.
Harrison, S. J. (2007) Generic Enrichment in Vergil and Horace, Oxford.
Heinze, R. (1919) “Ovids elegische Erzählung”, en Vom Geist des Römertums 3a. ed. (1960).
Heubeck, A., West, S. & Hainsworth, J. B. (1998) A Commentary on Homer’s Odyssey: Volume I, Books I-VIII, Oxford.
Hunter, R. (1993) The Argonautica of Apollonius, Cambridge.
Hunter, R. (2008) “The Poetics of Narrative in the Argonautica”, en T. Papanghelis & A. Rengakos (eds.) Brill’s Companion to Apollonius Rhodius, Leiden, Boston: 115-146.
Janko, R. (1981) “The Structure of the Homeric Hymns: A Study in Genre”, Hermes 109: 9–24.
Kirk, G. S. (1985) The Iliad: A Commentary: Books 1–4, Cambridge.
Klooster, J. J. H. (2007) “Apollonius of Rhodes”, en I. de Jong & R. Nünlist (eds.) Time in Ancient Greek Literature, Leiden, Boston: 63-80.
Klooster, J. J. H. (2011) Poetry as Window and Mirror, Leiden, Boston.
Klooster, J. J. H. (2012) “Apollonius of Rhodes”, en I. de Jong (ed.) Space in Ancient Greek Literature, Leiden, Boston: 55-76.
Kroll, W. (1924) Studien zum Verständnis der römischen Literatur, Stuttgart.
Legrand, P.-E. (1898) Étude sur Théocrite, Paris
Lowrie, M. (2009) Writing, Performance, and Authority in Augustan Rome, Oxford.
Morrison, A. (2007) The Narrator in Archaic Greek and Hellenistic Poetry, Cambridge.
Nagy, G. (1979) The Best of the Achaeans, Baltimore.
Pucci, P. (2007) Inno alle Muse: Esiodo, Teogonia, 1–115, Pisa.
Rossi, L. E. (1971) “I generi letterari e le loro leggi scritte e non scritte nelle letterarture classiche”, BICS 18: 69-94.
Vox, O. (2002) “Dionigi Alessandrino e Apollonio Rodio: Cornici Innodiche”, Lexis 20: 153-70.
West, M. L. (2001) Studies in the Text and Transmission of the Iliad, München.
Wheeler, G. (2000) “Sing, Muse…: The introit from Homer to Apollonius”, CQ 52: 33–49.