La voz y el movimiento de la voz en la teoría musical griega antigua y tardoantigua: Nicómaco de Gerasa y Gaudencio el Filósofo
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May 31, 2017
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Abstract
This paper is based on the careful reading, translation and analysis of Nicomachus of Gerasa’s and Gaudentius the Philosopher’s harmonic works. These authors are considered paradigms of a Pythagorean and eclectic understanding of the ancient Greek music and the music from Late Antiquity, respectively. In it, the importance of the voice like an element of Harmony will be emphasised and its motions and classification will be presented.
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Garrido Domené, F. (2017). La voz y el movimiento de la voz en la teoría musical griega antigua y tardoantigua: Nicómaco de Gerasa y Gaudencio el Filósofo. Synthesis, 24(1), e015. https://doi.org/10.24215/1851779Xe015
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This work is licensed under a Creative Commons Attribution 4.0 International (https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es).
References
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Meibom, M. (1652) Antiquae musicae auctores septem. Graece et Latine. Amstelodami, I-II vol. Apud Ludovicum Elzevirium, Amsterdam.
Michaelides, S. (1978) The Music of Ancient Greece. An Encyclopaedia, London.
Rocconi, E. (2003) Le parole delle muse: la formazione del lessico tecnico musicale nella Grecia antica, Roma.
Rodríguez Adrados, F. (ed.) (1980) Lírica griega arcaica (Poemas corales y monódicos, 700-300 a. C.), Madrid.
Ross, W. A. (1936) Aristotele’s Physics: A Revised Text with Introduction and Commentary, Oxford.
Ruelle, Ch. E. (1880) Collection des autres grecs relatifs à la musique. II. Nicomaque de Gérase. Manuel d’Harmonique, Paris.
Stanford, W. B. (1967) The Sound of Greek: Studies in the Greek Theory and Practice of Euphony, Berkeley.
Zanoncelli, L. (1990) La manualistica musicale greca, Milano.
Ax, W. (1986) Laut, Stimme und Sprache. Studien zu drei Grundbegriffen der antiken Sprachtheorie, Göttingen.
Baken, R. J. (1987) Clinical Measurement of Speech and Voice, Boston.
Barker, A. (1989) Greek Musical Writings. II. Harmonic and Acoustic Theory, Cambridge.
Cherniss, H. (1935) Aristotele’s Criticism of Presocratic Philosophy, Baltimore.
D’Ooge, M. L., Robbins, F. E., Karpinski, L. Ch. (1926) Nicomachus of Gerasa. Introductio to Arithmetic, New York.
García López, J. Morales Ortiz, A. (2004) Plutarco. Obras Morales y de Costumbres (Moralia). Obra completa. XIII. Sobre la música; Fragmentos, Madrid.
Garrido Domené, F. (2013) “El universo harmónico platónico (Ti. 35b-36b) según Nicómaco de Gerasa (Harm. VIII; pp. 250.3-252.2 Jan)”, Euphrosyne 41: 191-205.
Gibson, S. (2005) Aristoxenus of Tarentum and the Birth of Musicology, New York, London.
Harris, M. (1990) Our Kind, New York.
Jan, K. von (1995 [1895]) Musici scriptores Graeci. Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius et melodiarum veterum quidquid exstat, Leipzig.
Johnson, Ch. W. L. (1899) “The Motion of the Voice, ἡ τῆϛ φωνῆϛ κίνησιϛ, in the Theory of Ancient Music”, TAPhA 30: 42-55.
Laver, J. (1980) The Phonetic Description of Voice Quality, Cambridge.
Laver, J. (1991) The Grift of Speech: Papers in the Analysis of Speech and Voice, Edinburgh.
Levin, F. R. (1975) The Harmonics of Nicomachus and the Pythagorean Tradition, American Classical Studies, no. 1 University Park, The American Philological Association.
Levin, F. R. (1994) Nicomachus. Manual of Harmonics. Translation and Commentary, New York.
Mathiesen, Th. J. (2000) Apollo’s Lyre. Greek Music and Music Theory in Antiquity and the Middle Ages, Lincoln, New York.
McDermott, W. (1977) “Plotina Augusta and Nicomachus of Gerasa”, Historia 26: 192-203.
Meibom, M. (1652) Antiquae musicae auctores septem. Graece et Latine. Amstelodami, I-II vol. Apud Ludovicum Elzevirium, Amsterdam.
Michaelides, S. (1978) The Music of Ancient Greece. An Encyclopaedia, London.
Rocconi, E. (2003) Le parole delle muse: la formazione del lessico tecnico musicale nella Grecia antica, Roma.
Rodríguez Adrados, F. (ed.) (1980) Lírica griega arcaica (Poemas corales y monódicos, 700-300 a. C.), Madrid.
Ross, W. A. (1936) Aristotele’s Physics: A Revised Text with Introduction and Commentary, Oxford.
Ruelle, Ch. E. (1880) Collection des autres grecs relatifs à la musique. II. Nicomaque de Gérase. Manuel d’Harmonique, Paris.
Stanford, W. B. (1967) The Sound of Greek: Studies in the Greek Theory and Practice of Euphony, Berkeley.
Zanoncelli, L. (1990) La manualistica musicale greca, Milano.