Achilles’ shield and the tension between war and mousiké in Iliad 18

Main Article Content

Christian Werner

Abstract

The purpose of this paper is to discuss how the tension between the destruction of war and the experience provided by musical activities or, mythopoetically, to the sphere of the Muses (mousiké), permeates Iliad 18, culminating in the narration of the forging of Achilles’ new shield by Hephaestus. The main passages discussed are the meeting of the Nereids as a khóros that participates in Thetis’ lament for Achilles the way Achilles conceptualizes his former set of weapons and some of the aspects highlighted in the actual meeting of Thetis and Hephaestus. As for the Shield, in addition to tracking the tension between destruction and mousiké that pervades it, it is shown how this tension helps to clarify two sets of problematic verses, 535-38 and 604-5.

Downloads

Download data is not yet available.

Article Details

How to Cite
Werner, C. . (2022). Achilles’ shield and the tension between war and mousiké in Iliad 18. Synthesis, 29(1), e115. https://doi.org/10.24215/1851779Xe115
Section
Dossier: Nuevas tendencias en los estudios homéricos

References

Alden, M. (2000). Homer beside himself: para-narratives in the Iliad. Oxford: Oxford University Press.

Andersen, Ø. (1976). Some thoughts on the shield of Achilles. Symbolae Osloenses, 51, 5-18. DOI: https://doi.org/10.1080/00397677608590683

Apthorp, M. J. (1980). The manuscript evidence for interpolation in Homer. Heidelberg: Carl Winter.

Arpaia, M. (2010). Bibliografia sullo scudo dithyramb Achille (1945-2008). In M. D’Acunto e R. Palmisciano (Ed.), Lo scudo di Achille nell’Iliade: esperienze ermeneutiche a confronto. Atti della giornata di studi, Napoli, 12 maggio 2008 (Aion, 31.2009) (pp. 233-45). Pisa/Roma: Fabrizio Serra.

Auerbach, E. (2015). Mimesis. Dargestellte Wirklichkeit in der abendländischen Literatur. Bern: Francke.

Battezzato, L. (2019). Leggere la mente degli eroi: Ettore, Achille e Zeus nell’ Iliade. Pisa: Edizioni della Normale.

Becker, A. S. (1995). The shield of Achilles and the poetics of ekphrasis. Lanham: Rowman & Littlefield.

Bremmer, J. N. (2010). Hephaistos sweats or how to construct an ambivalent god. In J. N. Bremmer e A. Erskine (Ed.), The gods of ancient Greece: identities and transformation (pp. 193-208). Edinburgh: Edinburgh University Press. DOI: https://doi.org/10.3366/edinburgh/9780748637980.003.0011

Burgess, J. S. (2009). The death and afterlife of Achilles. Baltimore: Johns Hopkins University Press. DOI: https://doi.org/10.1353/book.3511

Carruesco, J. (2016). Choral performance and geometric patterns in epic poetry and iconographic representations. In V. Cazzato e A. Lardinois (Ed.), The look of lyric. Greek song and the visual (pp. 69-107). Leiden: Brill. DOI: https://doi.org/10.1163/9789004314849_005

Cerri, G. (2010). Iliade libro XVIII: Lo Scudo di Achille. Introduzione, traduzione e commento. Roma: Carocci.

Coray, M. (2016). Homer Ilias: Gesamtkommentar. Band XI: Achtzehnter Gesang. Faszikel 2: Kommentar. Berlin / New York: de Gruyter.

Danek, G. (1998). Epos und Zitat: Studien zu den Quellen der Odyssee. Wien: Österreichischen Akademie der Wissenschaften.

Edwards, M. W. (1991). The Iliad: a commentary. V, books 17-20. Cambridge: Cambridge University Press. DOI: https://doi.org/10.1080/03612759.1991.9949450

Erbse, H. (1986). Untersuchungen zur Funktion der Gotter im homerischen Epos. Berlin-New York: de Gruyter. DOI: https://doi.org/10.1515/9783110855623

Ford, A. (1992). Homer: the poetry of the past. Ithaca: Cornell University Press.

Ford, A. (2002). The origins of criticism. literary culture and poetic theory in classical Greece. Princeton: Princeton University Press. DOI: https://doi.org/10.1515/9781400825066

Francis, J. A. (2009). Metal maidens, Achilles’ shield, and Pandora: the beginnings of ‘ekphrasis’”. The American Journal of Philology, 130(1), 1-23. DOI: https://doi.org/10.1353/ajp.0.0038

Frontisi-Ducroux, F. (1975). Dédale: mythologie de l’artisan en Grèce Ancienne. Paris: Maspero.

Grethlein, J. e Huitink, L. (2017). Homer’s vividness: an enactive approach. Journal of Hellenic Studies, 137, 67-91. DOI: https://doi.org/10.1017/S0075426917000064

Halliwell, S. (2011). Between ecstasy and truth: interpretations of Greek poetics from Homer to Longinus. Oxford: Oxford University Press. DOI: https://doi.org/10.1093/acprof:oso/9780199570560.001.0001

Hesíodo. (no prelo). Teogonia (2ª ed.) . Tradução, introdução e notas: C. Werner. São Paulo: Hedra.

Homero. (2018a). Ilíada. Tradução e ensaio introdutório: C. Werner. São Paulo: SESI-SP/ Ubu.

Homero. (2018b). Odisseia. Tradução e introdução: C. Werner. Apresentação: R. Martin. São Paulo: Ubu.

Hunzinger, C. (1994). Le plaisir esthétique dans l’épopée archaïque: les mots de la famille de θαῦμα. Bulletin de l’Association Guillaume Budé, 1, 4-30. DOI: https://doi.org/10.3406/bude.1994.1575

Hunzinger, C. (2015). Wonder. In P. Destrée e P. Murray (Ed.), A companion to ancient aesthetics (pp. 37-422). Malden: Blackwell. DOI: https://doi.org/10.1002/9781119009795.ch28

Hunzinger, C. (2018). Perceiving thauma in archaic Greek epic. In M. Gerolemou (Ed.), Recognizing miracles in Antiquity and beyond (pp. 259-274). Berlin: de Gruyter. DOI: https://doi.org/10.1515/9783110563559-014

Iribarren, L. (2012). The shield of Achilles (Ilias XVIII, 478-608) and Simonides’ apothegm on painting and poetry (T101 Poltera): some thoughts on the fruitfulness on a well-matched couple. Poetica, 44(3/4), 289-312. DOI: https://doi.org/10.1163/25890530-044-02-90000005

Iribarren, L. (2018). Fabriquer le monde: technique et cosmogonie dans la poésie grecque archaïque. Paris: Classiques Garnier.

Jong, I. J. F. de. (1987). Narrators and focalizers: the presentations of the story in the Iliad. Amsterdam: Grüner.

Jong, I. J. F. de. (2011). The shield of Achilles: from metalepsis to mise en abyme. Ramus, 40, 1-14. DOI: https://doi.org/10.1017/S0048671X00000175

Jong, I. J. F. de. (2016). Homer the first tragedian. Greece & Rome, 63(2), 149–162. DOI: https://doi.org/10.1017/S0017383516000036

Kurke, L. (2012). The value of chorality in ancient Greece. In J. K. Papadopoulos e G. Urton (Ed.), The construction of value in the ancient world (pp. 218–35). Los Angeles: Cotsen Institute of Archaeology/ UCLA. DOI: https://doi.org/10.2307/j.ctvdjrrxf.16

Lather, A. (2021). Materiality and aesthetics in archaic and classical Greek poetry. Edinburgh: Edinburgh University Press. DOI: https://doi.org/10.3366/edinburgh/9781474462358.001.0001

LfgrE = Snell, B. et al. (orgs.). (1955-2010). Lexikon des frühgriechischen Epos. 4 vol. Göttingen: Vandenhoeck & Ruprecht.

Lightfoot, J. (2021). Wonder and the marvellous from Homer to the Hellenistic world. Cambridge: Cambridge University Press. DOI: https://doi.org/10.1017/9781009003551

Lynn-George, M. (1988). Epos: word, narrative and the Iliad. London: MacMillan Press. DOI: https://doi.org/10.1007/978-1-349-07335-1

Marg, W. (1957). Homer über die Dichtung. Münster: Aschendorfsche Verlagsbuchhandlung.

Martin, R. P. (1989). The language of heroes: speech and performance in the Iliad. Ithaca: Cornell University Press.

Maslov, B. (2016). The genealogy of the Muses: an internal reconstruction of archaic Greek metapoetics. American Journal of Philology, 137(3), 411-446. DOI: https://doi.org/10.1353/ajp.2016.0020

Minchin, E. (2021). Visualizing the shield of Achilles: approaching its landscapes via cognitive paths. The Classical Quarterly, 70(2), 473-484. DOI: https://doi.org/10.1017/S0009838820000671

Muellner, L. C. (1996). The anger of Achilles: mênis in Greek epic. Ithaca: Cornell University Press.

Nagy, G. (1997). The shield of Achilles: ends of the Iliad and beginnings of the polis. In S. Langdon (Ed.), New light on a dark age: exploring the culture of Geometric Greece (pp. 194-207). Columbia: Missouri University Press.

Nagy, G. (1999). The best of the Achaeans: concepts of the hero in archaic Greek poetry. 2a ed. Baltimore: Johns Hopkins University Press.

Nagy, G. (2009). Homer the classic. Washington D. C.: Center for Hellenic Studies.

Nagy, G. (2012). Signs of hero cult in Homeric poetry. In F. Montanari, A. Rengakos e C. Tsagalis (Ed.), Homeric contexts: Neoanalysis and the interpretation of oral poetry (pp. 27-74). Berlin: De Gruyter. DOI: https://doi.org/10.1515/9783110272017.27

Neer, R. T. (2010). The emergence of the classical style in Greek sculpture. Chicago: University of Chicago Press. DOI: https://doi.org/10.7208/chicago/9780226570655.001.0001

Peponi, A.-E. (2012). Frontiers of pleasure: models of aesthetic response in archaic and classical Greek thought. Oxford: Oxford University Press. DOI: https://doi.org/10.1093/acprof:oso/9780199798322.001.0001

Perceau, S. (2002). La parole vive: Communiquer en catalogue dans l’épopée homérique. Louvain: Peeters.

Porter, J. I. (2008). Erich Auerbach and the Judaizing of philology. Critical Inquiry, 35, 115-147. DOI: https://doi.org/10.1086/595631

Porter, J. I. (2021). Homer: the very idea. Chicago: Chicago University Press. DOI: https://doi.org/10.7208/chicago/9780226790077.001.0001

Postlethwaite, N. (1998). Hephaistos’ theios aoidos and the Cretan Dance. Eranos, 96, 92-104.

Prier, R.A. (1989). Thauma Idesthai: the phenomenology of sight and appearance in archaic Greek. Tallahassee: Florida State University Press.

Pucci, P. (1998). The song of the Sirens: essays on Homer. Lanham: Rowman & Littlefield.

Purves, A. C. (2010). Space and time in ancient Greek narrative. Cambridge: Cambridge University Press. DOI: https://doi.org/10.1017/CBO9780511750731

Rabel, R. J. (1989). The shield of Achilles and the death of Hector. Eranos, 87, 81-90.

Reinhardt, K. (1961). Die Ilias und ihr Dichter. Editado por U. Hölscher. Göttingen: Vandenhoeck & Ruprecht.

Revermann, M. (1998). The text of Iliad 18.603-6 and the presence of an ΑΟΙΔΟΣ on the shield of Achilles.The Classical Quarterly, 48, 29-38. DOI: https://doi.org/10.1093/cq/48.1.29

Rutherford, R. B. (2019). Homer: Iliad book XVIII. Cambridge: Cambridge University Press.

Schadewaldt, W. (1965). Von Homers Welt und Werk: Aufsätze und Auslegungen zur Homerischen Frage. 4a ed. Stuttgart: Köhler.

Scully, S. P. (2003). Reading the shield of Achilles: terror, anger, delight. Harvard Studies in Classical Philology, 101, 29-47. DOI: https://doi.org/10.2307/3658523

Solmsen, F. (1965). Ilias XVIII, 535-40. Hermes, 93, 1-6.

Squire, M. (2013). Ekphrasis at the forge and the forging of ekphrasis: the ‘Shield of Achilles’ in Graeco-Roman word and image. Word & Image, 29(2), 91-157. DOI: https://doi.org/10.1080/02666286.2012.663612

Steiner, D. T. (2021). Choral constructions in Greek culture: the idea of the chorus in the poetry, art and social practices of the archaic and early classical periods. Cambridge: Cambridge University Press. DOI: https://doi.org/10.1017/9781316275436

Thein, K. (2022). Ecphrastic shields in Graeco-Roman literature: the world’s forge. Abingdon; New York: Routledge. DOI: https://doi.org/10.4324/9781003154051

Trümpy, H. (1950). Kriegerische Fachausdrücke im griechischen Epos: Untersuchungen zum Wortschatz Homers. Basel: Helbing & Lichtenhahn.

Tsagalis, C. (2008). The oral palimpsest: exploring intertextuality in the Homeric epics. Washington, DC: Center for Hellenic Studies.

Tsagalis, C. (2012). From listeners to viewers: space in the Iliad. Washington, DC: Center for Hellenic Studies. Lido em http://nrs.harvard.edu/urn-3:hul.ebook:CHS_TsagalisC.From_Listeners_to_Viewers.2012.

Van Thiel, H. (1991). Homeri Odyssea. Hildesheim: Olms.

Van Thiel, H. (2010). Homeri Ilias. Hildesheim: Olms.

Vergados, A. (2020). Hesiod’s verbal craft: studies in Hesiod’s conception of language and its ancient reception. Oxford: Oxford University Press. DOI: https://doi.org/10.1093/oso/9780198807711.001.0001

Werner, C. (2018). Memórias da Guerra de Troia: a performance do passado épico na Odisseia de Homero. Coimbra/ São Paulo: Imprensa da Universidade de Coimbra/ Annablume. DOI: https://doi.org/10.14195/978-989-26-1502-8

Wilamowitz-Moellendorff, U. von. (1916). Die Ilias und Homer. Berlin: Weidmann.